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![]() ![]() To bring Kubo to life, it took 358 pounds of Sculpey clay 36 pounds of liquid rubber, 358 gallons of resin 789 cans of spray paint 4,392 English beading needles 26 gallons of Rit dye 177,187 cotton swabs 215 feet of gooseneck tubing and 2 Classic Atari 2600 joysticks - and that just barely scratches the surface of the materials list. It wasn’t just paper that came in at epic proportions, though. And even that number pales in comparison to the total amount of kraft paper used, which clocks in at 26,300 square feet. That’s roughly the equivalent of 11.5 Empire State Buildings stacked on top of one another. In total, the production of Kubo used 16,725 feet of Tyvek paper. “You can rest assured with making puppets, there’s always going to be a material out there - you don’t know what it is, it might take awhile to find it - but there’s always something that fits the needs of what you need to do,” said Hayns. Crucially, it stands up to abuse without losing the appearance and essential foldability of paper. The solution: Tyvek, a material commonly used for housewrap in construction and disposable protective apparel. But in building the prototype puppets for origami characters like the 2-inch tall Little Hanzo, Hayns and her team quickly found that actual paper wasn’t going to stand up to the demands of animation, which requires a lot of movement. “We build it up, we get all of the right information, and we eventually end up with this fully articulated, tension-able, posable skeleton that is inside the puppet,” Georgina Hayns, the film’s Puppet Fabrication Supervisor, said.īecause elements of Kubo were inspired and influenced by origami, the appearance and texture of paper was central to the aesthetic of the film. They come together in several parts, with costumes and body parts, internal armatures, and skin that’s made with soft materials like latexes and polyurethanes. Puppet Fabrication Supervisor Georgina Hayns with several of the origami puppets Megan Logan / LAIKAĪs the heroes and central characters of these stories, the puppets are crucial. The entire production of Kubo and the Two Strings took 94 weeks and one hell of a shopping list. So, of course, an epic story meant an epic build. Instead of studio backlots, detailed sets are built in miniature. Instead of actors, there are posable puppets. The vast majority of the elements in stop motion films are designed and built in the physical world. More environments, more effects, lots of crowds.” “It was beyond anything we’d ever done previously here at LAIKA. “We were looking at a story that was epic,” Visual Effects Supervisor Steve Emerson told Inverse. The world that Kubo and companions Monkey (Charlize Theron) and Beetle (Matthew McConaughey) traverse is full of forests, oceans, icy wastelands, and grand, mysterious structures like the Hall of Bones. The story of Kubo’s (Art Parkinson) quest through a fantastical Japan to unravel the mystery of his legacy and save his family, Kubo and the Two Strings moves through a number of big, expansive locations. Kubo and the Two Strings is LAIKA’s biggest undertaking to date. The technique is full of challenges and inherent limitations, but with an army of creatives and a unique hybrid method that blends visual effects and traditional tactile stop motion animation, LAIKA embraces those challenges and removes limitations with some ingenuity and a lot of Tyvek. At LAIKA, though, the art of stop motion animation is very much alive. Once Pixar burst on to the scene with 1995’s Toy Story, computer animation quickly dominated the field - it was faster, cheaper, and more creatively freeing than anything that came before it. Earlier this summer, Inverse visited the set of LAIKA’s next film, Kubo and the Two Strings (in theaters August 19), to take a close look at the process and talk to the creative team that brought to life the studio’s biggest film yet. In the age of computer animation, the Oregon-based studio has produced several of the best and most beloved animated films of the last ten years: 2009’s Coraline, 2012’s ParaNorman, and most recently, 2014’s The Boxtrolls. ![]() LAIKA Studios has spent the last decade not only fighting to keep stop motion animation relevant, but also working to take the old school art form to new technical heights - one frame at a time. ![]() ![]() ![]() There are at the oceanarium 15. The Oceanarium of Lisbon was inagurated in 1998 during the last world exposition of the 20th century, its theme wasThe Oceans. The windows are strategically positioned so that you can enjoy different viewpoints as you make your way around the Oceanarium. Download this stock image: Outside view of Lisbons Oceanarium building March 18, 2004. This tank contains five million litres of salt water and has four huge glass windows each measuring 40 m2 through which you can observe the marine life inside. an Oceanarium, a multifunctional pavilion, a variety of public spaces and. The first thing you will see when you arrive at the Lisbon Oceanarium is the central tank, which is indisputably the most impressive one of all. In this uncertain climate, the Lisbon Expo of 1998 marked a change in attitude. All tourists going to the Oceanarium and other famous attractions around. It is divided into four large tanks, including a massive central one, that represent the world’s four major oceanic ecosystems: the rocky North Atlantic coast, the tropical Indian coral reefs, the temperate Pacific kelp forests and the Antarctic coastline. The district was renovated for Expo 1998 World Exhibition, as Lisbon was chosen. It contains more than 15,000 creatures and over 450 different species. Stock photography Lisbon Oceanarium, opened in 1998, on the day of Expo 98 2822616 Download pictures from the photo stock library Millions of. The Lisbon Oceanarium is located in the Parque das Nações, which was built as the venue for the 1998 Lisbon World Exposition, Expo ’98. Inside the Oceanarium there are over 450 different species of animals, including sharks, rays, penguins and even two delightful sea otters. The Lisbon Oceanarium is the world’s largest salt water aquarium and is a fantastic tourist attraction, especially for families. Hop on the Modern Lisbon Bus Tour to head to the Parque das Naes, the site of the 1998 World Expo, with stops including the Lisbon Oceanarium and the. ![]() ![]() Sometimes the best move is to wait a few beats for things to better fall into place and line up some chains. As you’re rushing around the board, you thus have to be planning a few steps ahead at all times. New foes and hazards come in at a rather fast pace, so you have to clear them out quickly to make more room, yet you can’t go more than a few seconds on the offense before your character is only one or two health away from collapsing. This kind of combat and pacing thus turns Pocket Dungeon into a delicate, yet high intensity dance between offense and defense. ![]() Go too fast, however, and you’re prone to make some easy mistakes, which can kill you off almost instantly. The thing is, each tier of the gem meter depletes faster than the last, so you need to be moving quick if you want to keep it full and be maximizing your gem income. ![]() Keep filling it up, and you can get up to 4x the gems to drop from each enemy you fell, which can hugely affect the value and quantity of things you can buy in the shops. Part of this incentive to speed up is further tied to your gem meter, which fills a little with each defeated foe and starts steadily decreasing right away. Open spaces are closing up, potential chains of foes are separating, and you’re continually being prodded to act now or miss your chance. This means that there’s a little bit of breathing room for you to pause and survey the board while plotting out your next moves, but there’s still a lot of pressure on you because the state of the board is changing even as you’re studying it. However, even if you don’t move at all, blocks will still fall at a slower, albeit unceasing, pace. Rather like a Mystery Dungeon game, every falling block will move down one cell every time you take a step or hit an enemy. Things are made even more interesting by the fact that there are two speeds at which blocks will fall. Potions drop at a reasonably frequent rate, almost always making sure there’s one within reach, but sometimes you may have to go through a few foes to make it to your next bit of healing. The flipside to dealing damage, however, is that you need to be constantly thinking about how you’re going to top up your health, as it only takes a few hits on any enemy to put you in the danger zone. If any like foes or obstacles are connected to the one you strike, all of them will take equal damage and you’ll be given a chain bonus for eliminating multiple in the same hit. Bumping into any enemy or hazard will result in your character dishing out at least one point of damage, and usually taking at least one in return. Keeping the blocks from piling up too high is only a secondary concern, while your main problem is just keeping your playable character alive. One key element to consider is that this is primarily a combat-focused game. On a purely foundational basis, then, this feels very much like the Tetrises and Lumineses that you’ve played before, but the real meat of the game comes in the details. Levels present you with an 8x8 grid that slowly fills with enemies and hazards clear out enough of them will unlock a gateway to the next level and the cycle repeats. To do so you’re expected to overcome a series of progressively more difficult levels, each themed after the iconic stages from the original release and some new locales that feel like they fit perfectly within the aesthetic. Shovel Knight’s task is thus to figure out a way to solve the mysteries of the pocket dungeon and figure out some way to escape with the aid of both his friends and his foes. ![]() Nearly as soon as he interacts with it, suddenly finds himself being sucked into a pocket dimension within the cube that houses all the knights and characters from the previous games, plus a few interesting newcomers that hint at where the series may go next. Pocket Dungeon follows a relatively simple narrative wherein the titular knight discovers a magical puzzle cube while out and about. There is more to Shovel Knight Pocket Dungeon than you may first think, and we’d say it comfortably meets the wonderfully high-quality standards of Yacht Club’s previous work. Yet, to pass on this would be to miss out on a tightly designed, highly refined, and refreshingly original take on the falling block puzzler genre. It’s easy to look at Shovel Knight Pocket Dungeon and think it’s just an interesting, but very skippable sidestep in the series while we wait for the next mainline game. ![]() Yacht Club’s newest spin-off of its critically lauded Shovel Knight franchise is, in a word, addictive. Sometimes just before his boss battle, Specter Knight will warn you, “All who play Pocket Dungeon’s deadly game will be consumed by it.” He’s certainly right. ![]() ![]() ![]() And the result is spellbinding.” Dave Thompson, Goldmine “Author Prince has pulled together a mass of material culled not only from the website and its associated albums, but also a great deal more that was written specifically for the book. 9, Gone to Earth, The Changes, Children of the Stones, Sleep Furiously and The Wicker Man. The book also explores television and film including Quatermass, The Moon and the Sledgehammer, Phase IV, Beyond the Black Rainbow, The Spirit of Dark and Lonely Water, Bagpuss, Travelling for a Living, The Duke of Burgundy, Sapphire & Steel, General Orders No. It includes considerations of the work of writers including Rob Young, John Wyndham, Richard Mabey and Mark Fisher, musicians and groups The Owl Service, Jane Weaver, Shirley Collins, Broadcast, the BBC Radiophonic Workshop, Virginia Astley and Kate Bush, the artists Edward Chell, Jeremy Deller and Barbara Jones and the record labels Trunk, Folk Police, Ghost Box and Finders Keepers. Connecting layered and, at times, semi-hidden cultural pathways and signposts, it journeys from acid folk to edgelands via electronic music innovators, folkloric film and photography, dreams of lost futures and misremembered televisual tales and transmissions. In keeping with the number of weeks in a year, the book is split into 52 chapters which draw together revised writings from the project alongside new journeyings. It is a wandering amongst subculture that draws from the undergrowth of the land.Īs a project, it has included a website featuring writing, artwork and music which stems from that otherly pastoral/spectral hauntological intertwining, alongside a growing catalogue of album releases. ![]() “A new book caught my eye recently – the title A Year In The Country: Wandering Through Spectral Fields, that goes in search of the darker, eerier side of the bucolic countryside dream by looking at films of a certain genre, books, TV series, music it is great to have this fascinating subject explored so thoroughly and brought together under one title.” Verity Sharp, Late Junction, BBC Radio 3Ī Year In The Country is a set of year-long journeys through spectral fields cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. “An essential field guide to a distinct aesthetic that remains loosely defined, like a fluttering night moth that would die if pinned down.” Ben Graham, Shindig! “The first book of it’s kind to catalogue all these disparate strands, many of which cross over time and space to influence one another.” DJ Food The book may also available to order from other bookshops etc, please direct any queries regarding that directly to them. Paperback and Ebook are available at Amazon UK, Amazon US, Amazon Australia and their other international sites. We are also highlighting our new Giant Happy Spring die today! This die is perfect for sending happy spring wishes in a big way! This greeting fits both portrait and landscape A2 size cards.Journeys in Otherly Pastoralism, the Further Reaches of Folk and the Parallel Worlds of Hauntology. Today is our showcase of Garden Before ‘n Afters and its coordinating dies! Nurture the little seeds, and they will flourish! This set of stamps features little plant sprouts and fully grown plants, seeds, a watering can, and lots of loving sentiments. ![]() We already have one place you can leave comments to win: Hello and welcome to Lawn Fawn’s March Inspiration Week! Our Spring 2022 Release with 14 new stamp sets, 24 new die sets, 4 new stencil sets, new paper collections, new cardstock and more new products are now available at your favorite store and Woohoo! This week we will continue to showcase these new products with design team projects, intro videos, and giveaways! Daily Giveaway ![]() ![]() ![]() You will receive a notification when your order has shipped or is ready to be picked up. Orders will be processed in the order they are received. Note: Due to the nature of the fabric pattern, not all masks will look identical. You should not share your mask with others. If you choose to wear a non-medical face mask, be sure to wash your hands immediately before putting it on and immediately after taking it off. ![]() Continue to comply with all Ontario Public Health measures found HERE. Wearing a non-medical, cloth face mask does not nullify other public health measures to prevent the transmission of COVID-19. ![]() Please follow all recommendations for wear and care. Adult supervision is encouraged for children wearing face masks between the ages of 3 and 12 years of age. Not recommended for children under 2 years of age, those with breathing difficulties, or for anyone who is incapacitated. This product is not medical device and we make no claims to guarantee against illness and infection. If you have received a damaged mask, the wrong size or fabric pattern, please provide photo evidence within 7 days of receiving the mask by contacting us HERE. Remove the mask by grasping the elastics, without touching the fabricĭue to sanitary reasons, all face masks are non-returnable, non-refundable, and non-exchangeable.Do not touch your mask while wearing it.Once dry, store in a clean bag or container between uses Check out our Fabric Pouches HERE!.Hanging to dry increases longevity of the mask, as well, as prevents breakage of the nosepiece.Hand or machine wash in any temperature water with a small amount of detergent.All fabrics have been pre-washed and pre-shrunk in unscented detergent without fabric softener.Read in depth about our materials HERE.Optional Third Layer: Ultra-lightweight fusible polypropylene.Send us a message if you have a question regarding sizing *** *** Please note: S izing is approximate as face depth and facial features can alter the mask fit from person to person. However, the nosepieces can be purchased HERE and can be replaced as I leave a small opening for easy insertion. A premium cotton face mask that is intended. ( NOTE : the nosepiece cannot be bent and unbent as it will eventually snap. Sizing: Adult - Regular ONLY: One-size fits most adult and older teens faces View all sizing information HERE. Nosepiece: flat, soft aluminium, light and pliable.Washable & reusable: hand or machine wash and hang to dry.Topstitched twice around the outer edges for durability and longevity.5mm elastic with adjustable silicone locks.Pleated style: allows for expansion and contraction to accommodate faces comfortably.Third Layer: non-woven polypropylene, as per Canada's guidelines (optional add-on).2 layers: 100% cotton woven exterior and interior.Adjustable elastic and silicone locks, a third layer and nosepiece will allow for the best fit.Īll of our masks are handmade in Ontario, Canada. The soft woven cotton enables you to wear your mask for extended periods of time. Sizing: Adult - Regular ONLY: One-size fits most adult and older teens facesĪ premium cotton face mask that is intended to be comfortable, breathable, washable, and affordable. ![]() ![]() ![]() ![]() There are two unaccompanied choral pieces, four accompanied by organ and ten with organ and instruments (sometimes optional and sometimes not). This is a book to be dipped into and used at different times and different circumstances. On this journey, one travels and pauses at different points. Do not expect a setting of the Office starting with '0 Lord, open our lips' and ending with the conclusion of Night Prayer the key word here is 'journey', not just a musical journey but a spiritual one too. Sometimes a subtitle is more revealing than the official title: here it is "A musical journey through the Morning, Midday, Evening and Night Prayers from the Daily Office". Singing chants is a wonderful way to share, as we come to pray together.’ There one begins to be open to the beauty of prayer, and drawn into deeper levels of reflection and stillness. ![]() Through the repetitions, a chant starts in the head with all its thinking and begins the long journey into the heart. Margaret says: ‘Chants are so easy to perform and also lovely to sing and to work at. They follow the journey of Daily Prayer from awakening at the break of the day to the eyelids closing at the end of the day. The sixteen pieces of OFFICIUM DIVINUM are made up of four choral pieces with organ, two cappella pieces and ten choral pieces with organ and instrumental accompaniment. ![]() ![]() ![]() Cast: Uee as Jang Yoon-Ha Sung Joon as Choi Joon-Ki Park Hyung-Sik as Yoo. It already opened in France earlier this year, and opens in Australia soon. For more edits on W two worlds or another korean/chinese drama edits please. This initially premiered at the 2021 Cannes Film Festival last year, playing in the Directors' Fortnight sidebar. The screenplay is written by Emmanuel Carrère and Hélène Devynck, adapted from Florence Aubenas' novel. Between Two Worlds, also known as Ouistreham (referencing Le Quai de Ouistreham) in French, is directed by French writer / filmmaker Emmanuel Carrère, making his second feature after The Moustache previously, as well as lots of writing gigs. But she also discovers mutual assistance and solidarity, strong bonds shared by these behind-the-scenes working women. Its the story of two people who live in the same era but in different worlds. A love story between a couple in their early thirties. Today I'll finish to watch the the last episode of this drama. In this new role, she experiences financial instability and social invisibility first-hand. W - Two Worlds is a very cute South Korean drama and honesly I like this drama. Without revealing her true identity, she gets hired as a cleaner, working with a group of other women. Hyun Seung-min as teenage Yeon-joo Park Min-ha as child Yeon-joo Kim Eui-sung as Han Sang. Marianne Winckler (Juliette Binoche), a well-known author, goes to live in northern France to research for her new book on the subject of job insecurity. CastEdit Lee Jong-suk as Kang Cheol Han Hyo-joo as Oh Yeon-joo. Here's the new Australian trailer (+ poster) for Emmanuel Carrère's Between Two Worlds, on YouTube: The film looks a bit like a Ken Loach drama but made in France, a social realist look at the honest struggles of low income workers. The cast includes a group of authentic unknown actors, including Hélène Lambert, Louise Pociecka, Steve Papagiannis, & Aude Ruyter. Juliette Binoche stars as Winckler, who goes to live in northern France to research for her new book on the subject of job insecurity by working in various low end cleaning jobs. ![]() ![]() The original French title is Ouistreham in reference to this location. It is based on French journalist Florence Aubenas's bestselling non-fiction work Le Quai de Ouistreham, investigating rising precarity in French society through her experiences in the northern port city of Caen. This premiered last year at the 2021 Cannes Film Festival in the Directors' Fortnight section, and is opening sometime later this year. "Make the invisible visible." Madman Films in Australia has released their official trailer for Between Two Worlds, a French drama from writer / filmmaker Emmanuel Carrère. ![]() ![]() Robbery Bob Mod is the hacked version where everything is already unlocked without playing the game. Complete previous levels to unlock more levels in the game. 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